Transference was first described by Sigmund Freud, who
acknowledged its importance for psychoanalysis for better understanding of the
patient's feelings. For instance, one could mistrust somebody who resembles an
ex-spouse in manners, voice, or external appearance; or be overly compliant to
someone who resembles a childhood friend. In The Psychology of the
Transference, Carl Jung states that within the transference dyad both
participants. Transference (broadly defined) and interpretation tend to
intermingle, both in the clinical analytic encounter, and in any reading of
art, be it by laymen, analysts or other scholars.
Synaesthesia's display combines information about the
frequency, location and diffuseness of sound. The display is sufficiently
detailed to let you distinguish several individual instruments, singers, or
special effects on screen by their location, shape and color, and sufficiently
fast to distinguish individual drum beats and notes. The interest in colored
hearing dates back to Greek antiquity, when philosophers asked if the color
chroia, currently we know timbre of music was a quantifiable quality. Isaac
Newton proposed that musical tones and color tones shared common frequencies,
as did Goethe in his book, "Theory of Color."
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